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Sunday, June 10, 2007
Responding to Kahn: A Sculptural Conversation
Christian Boltanski
La fete de Pourim, 1988
The hollow eyes, the lights shining on the faces, and the biscuit tins that look like a prison wall represents Nazi Germany - very disturbing.
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Susan's Museum Experience
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6/10 Yale Center for British Art
6/10 Yale University Art Gallery
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6/30 Wadsworth Atheneum
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Chaim Soutine 1894-1944 It is not often when I ma...
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Paper Three (3) Surrealism/Dorothea Tanning
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In the beginning... The women at the desk were lo...
The Aldrich Contemporary Art Museum
Yale Center for British Art
I hope you enjoyed the selection I displayed from ...
The Entombment of Christ
Electric Chair
The Peaceable Kingdom
Ball Wall Clock
Reve (Dream)
Mother and Child (First Steps)
South Asian Art
Asian Art
Responding to Kahn: A Sculptural Conversation
Yale University Art Gallery
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